Since its beginning in 1985, Cygnus has created a large body of chamber music by both established and emerging composers, including commissioned work by Charles Wuorinen, Scott Johnson, Jonathan Dawe, Anthony Braxton, Milton Babbitt, Sebastian Currier, George Walker, Harold Meltzer, Chester Biscardi, David Claman, Richard Festinger, Laura Schwendinger, Matthew Greenbaum, David Lang, and Akemi NaitoAbout
Cygnus @ University of Wisconsin
Souding Beckett and more
Pre-concert Panel Discussion
with composers Laura Schwendinger and Chester Biscardi
& hosted by Beckett scholar Patricia Boyette
Performance at 8pm
Laura Schwendinger: Footfalls (after Beckett); The Garden of Earthy Delights
Chester Biscardi: Footfalls
John Halle: Catastrophe (after Beckett)
Scott Johnson: Last Time Told (after Beckett's Ohio Impromptu)
The 2012 Production of Sounding Beckett paired two different musical responses, written for Cygnus, to each of the three plays, as follows:
Footfalls---Chester Biscardi; Laura Schwendinger
Ohio Impromptu---Scott Johnson, John Halle
Catastrophe---David Glaser, Laura Kaminsky
"World Class Performers"
This CD was recorded over a period of many years, as new masterpieces for guitar duo joined the Anderson/Fader repertoire. There is a great range of musical attitudes.
Le Cirque - Sydney Corbet
Warmth - David Lang
Entertwined - Robert Pollock
Bowery Haunt - Scott Johnson
Fantasy on 12 Strings - Martin Rokeach
Resisting Stillness - Chester Biscardi
Dodecadactyl - Charles Wuorinen
My Morphine - William Anderson/Gillian Welch
Cygnus commissioned Meltzer's Brion through a generous grant from teh Barlow Foundation. It was a Pulitzer Finalist in 2011. It was also a featured work at a Cygnus residency at the Library of Congress in 2012.
Frank Brickle is quiet guru in the nascent field of post-maximalism. He was received all of his degrees from Princetonian, studying with JK Randall, Ben Boretz and Milton Babbitt. Starting from that high modernist background, he slowly plowed his way to the post-maximalist stance we see here.
Farai un vers, Merlin I, Ab nou cor, and The Creation are the masterpieces here.
In addition to his striking original compositions, this disc includes two transcriptions for Cygnus, each is advances one of the themes that weave through Cygnus programming over the years: Decadence and the Pre-Raphaelitism.
William Anderson's A Giddy Thing
MIlton Babbitt's Swan Song #1
Akemi Naito's Four Poetic Images
David Claman's gone for foreign
Rolv Yttrehus's Plectrum Spectrum