Since its beginning in 1985, Cygnus has created a large body of chamber music by both established and emerging composers, including commissioned work by Charles Wuorinen, Scott Johnson, Jonathan Dawe, Anthony Braxton, Milton Babbitt, Sebastian Currier, George Walker, Harold Meltzer, Chester Biscardi, David Claman, Richard Festinger, Laura Schwendinger, Matthew Greenbaum, David Lang, and Akemi Naito
AboutAnnouncing new works for Cygnus by
Three Upcoming Premieres
Carman Moore
Ricardo Zohn Muldoon (2017 Koussevitzky commission)
Klaus Ager
Carman Moore: CYGNUS: Swans Across the Milky Way
Ricardo Zohn Muldoon: New Work
(born 1962, in Guadalajara, México) is a Mexican-American composer and chair of the composition department at Eastman School of Music. His Comala (2010, Bridge Records 9325[1]) was a finalist for the 2011 Pulitzer Prize for Music[2] and he was awarded a Guggenheim Fellowship in 1995, a Mozart Medal in 1994, and a Lillian Fairchild Award in 2011. He was a student of George Crumb.
Comala, a cantata based on Juan Rulfo's Pedro Páramo, was premiered by The Furious Band at the Festival Música y Escena in México City.
Klaus Ager: New Work
"World Class Performers"
This CD was recorded over a period of many years, as new masterpieces for guitar duo joined the Anderson/Fader repertoire. There is a great range of musical attitudes.
Le Cirque - Sydney Corbet
Warmth - David Lang
Entertwined - Robert Pollock
Bowery Haunt - Scott Johnson
Fantasy on 12 Strings - Martin Rokeach
Resisting Stillness - Chester Biscardi
Dodecadactyl - Charles Wuorinen
My Morphine - William Anderson/Gillian Welch
Cygnus commissioned Meltzer's Brion through a generous grant from teh Barlow Foundation. It was a Pulitzer Finalist in 2011. It was also a featured work at a Cygnus residency at the Library of Congress in 2012.
Frank Brickle is quiet guru in the nascent field of post-maximalism. He was received all of his degrees from Princetonian, studying with JK Randall, Ben Boretz and Milton Babbitt. Starting from that high modernist background, he slowly plowed his way to the post-maximalist stance we see here.
Farai un vers, Merlin I, Ab nou cor, and The Creation are the masterpieces here.
In addition to his striking original compositions, this disc includes two transcriptions for Cygnus, each is advances one of the themes that weave through Cygnus programming over the years: Decadence and the Pre-Raphaelitism.
William Anderson's A Giddy Thing
MIlton Babbitt's Swan Song #1
Akemi Naito's Four Poetic Images
David Claman's gone for foreign
Rolv Yttrehus's Plectrum Spectrum